Mise-en-scene recreation practical task Plan The Blair Witch Project - Apology Scene MISE-EN-SCENE Costume : To mirror the original character, I had my actor wear a durag to act as the beanie, as no other details in the frame are visible. Lighting : The overall ambiance is dark, but I utilized my phone flashlight to create a harsh light on one side of his face and to create a contrast between light and dark. Actors’ Expressions : I ensured he appeared as sorrowful and vulnerable as possible, just like in the original. Make-up : He is not wearing any makeup, reflecting the raw, unadorned look of the original scene. Props: There are no props involved. Setting: I filmed in a room with a black backdrop to maximize the darkness of the lighting. Script In a dark pitch room, a harsh light casts shadows on his face, which displays a deeply sorrowful expression as he apologizes to everyone with teary eyes and regrets. SANDEEP: I just want to apologize to everyone ... Heavy breathing, on
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task 1: Find a distinctive still image and write an analysis of the mise-en-scene. LIGHTING - the room is dimly lit with soft light coming from the window, creating a stark contrast between light and dark. The figure is silhouetted, giving the scene a sense of mystery and isolation. The use of low-key lighting enhances the somber mood, focusing the attention on the lone figure while the surrounding darkness highlights solitude. SETTING/ SPACE - the large window occupies the center of the frame, while the figure sits directly in front of it, emphasizing isolation within the vast, empty room. The room appears minimalist with little to no furniture visible. This emptiness adds to the feeling of loneliness, allowing the focus to remain on the unknown figure. COMPOSITION - The framing of the scene positions the figure directly in the middle. This position highlights their solitude and connection to the outside world. COLOUR - the colour palette is dominated by greys and black, which cre
FAVOURITE PRODUCTION REVIEW: Two of my favorite productions shown in the Media Awards were short films produced by Diyari and Ragini. Their production had a variety of aspects of media techniques which enhanced their great production. The clever use of high-key and low-key lighting throughout their film created a dramatic tone and sense of mystery, evoking emotions of fear or threat. The sound effects also played a vital role in their pieces of work, mimicking the intensity of the scenes. For example, this was seen in Diyari's work where he opened the mysterious box, and we also see this in Ragini's work where the actors are running and the sound effect is faster, emphasizing the breathlessness and the pace within that moment. Furthermore, both producers take close-up shots to show the actor's vulnerabilities at specific times and the camera work is done incredibly as the camera clearly tracks characters as they navigate in the setting, creating suspense. The additional us
Film & TV Language: Film poster analysis ENIGMA CODE - is used as we are unaware where the protagonist is looking. PROTAGONIST - the hero is positioned in the centre of the frame. ANTAGONIST - seems to be the woman whose got serious FACIAL EXPRESSIONS and mirrors FEMME FATALE. HYBRID GENRE - action (identified from the PROPS shown eg gun) and sci-fi (identified from the background setting eg stars) HIGH ANGLE- focus on the character TAGLINE - quote added from the movie TARGET AUDIENCE - young adults LIGHTING - focused on the protagonist to bring more attention GENRE - action HYBRID - genre of comedy and horror COLOURS - multiple colours help differentiate the film as comedy-horror. BACKGROUND- horror elements like haunted house themes TAGLINE- comedic language used to show the film as parody FACIAL EXPRESSIONS - exaggerated, goofy expressions contrasting serious, terrified actions HIGH KEY LIGHTING - brighter lighting to emphasise comedy REVIEW - catching opion of others abou